I drew and painted as a child in Germany, but it was during a three year photography apprenticeship that I really learned to look. I awoke to the magic of light and the way in which it transforms shape and colour. I became tuned in to capturing the moment, and learned to appreciate that even the dullest of days and the most ordinary objects can be a source of interest, beauty and transformation. Eventually I wanted to capture that wonder on canvas and began my painting journey. Retiring from my physiotherapy practice, a short while ago, has given me the opportunity to devote myself energetically to the life of an artist.

I have always been a ‘maker’. As a child I learned carpentry skills from my father and mother and continue to enjoy making furniture and take a pride in making most my own picture frames.

I trained and worked as a pilot which gives me a particular slant on landscape. Features can become small dots or take on a more significant perspective. A pilot needs courage and I’m reminded of that when I push myself to take risks with my artwork. I have always been open to  the new and the novel.

I don’t confine myself to a particular style or subject matter but enjoy the cross fertilisation which occurs when I move between Realism and Impressionism, landscape and still life. Flowers continue to inspire me. Sometimes I like to push the colour pallet to increase the vibrancy and colour saturation.

An artist always depends on the influences of great masters. Monet was an early influence and I love Van Gogh’s pronounced brushstrokes and his use of yellow (his happy colour). Hans Heysen’s knobbly gumtrees and landscapes are a delight, but my favourite Henson is ‘Sewing, the Artist’s Wife’ - it radiates a sense of calm and atmosphere. Contemporary artists who have influenced my practice include American Artist, Erin Hanson. Hanson uses impasto brushstrokes not unlike van Gogh, to creat movement. Her use of colour has the impact of lead light or mosaic. I am also inspired by Charles Bell and Richard Estes. I loved learning with David Hinchcliffe. His dotting of vibrant colour is mesmerising.

Catherine Ketton and I have been painting buddies for some time now which has been enriching for us both. Trusted feedback is vital for an artist and another pair of eyes is most helpful.  We really enjoy our plein air excursions and combined  recent art exhibitions.

I invite the viewer to step into my painting and perhaps experience the emotions I felt when creating the work. I have a sense of freedom and happiness when I hold a paintbrush in my hand and assess the image before me. I hope that same warmth and excitement radiates from the work.

About us

Hi there!

Thank you for visiting my new online Studio at Sabine's Art

I am Sabine Kehoe, the Artist, and I live and work in Queensland, Australia.

If you have the time, let me introduce myself a bit better to you....

.....please read on....

I drew and painted as a child in Germany, but it was during a three year photography apprenticeship that I really learned to look. I awoke to the magic of light and the way in which it transforms shape and colour. I became tuned in to capturing the moment, and learned to appreciate that even the dullest of days and the most ordinary objects can be a source of interest, beauty and transformation. Eventually I wanted to capture that wonder on canvas and began my painting journey. Retiring from my physiotherapy practice, a short while ago, has given me the opportunity to devote myself energetically to the life of an artist.

I have always been a ‘maker’. As a child I learned carpentry skills from my father and mother and continue to enjoy making furniture and take a pride in making most my own picture frames.

I trained and worked as a pilot which gives me a particular slant on landscape. Features can become small dots or take on a more significant perspective. A pilot needs courage and I’m reminded of that when I push myself to take risks with my artwork. I have always been open to  the new and the novel.

I don’t confine myself to a particular style or subject matter but enjoy the cross fertilisation which occurs when I move between Realism and Impressionism, landscape and still life. Flowers continue to inspire me. Sometimes I like to push the colour pallet to increase the vibrancy and colour saturation.

An artist always depends on the influences of great masters. Monet was an early influence and I love Van Gogh’s pronounced brushstrokes and his use of yellow (his happy colour). Hans Heysen’s knobbly gumtrees and landscapes are a delight, but my favourite Henson is ‘Sewing, the Artist’s Wife’ - it radiates a sense of calm and atmosphere. Contemporary artists who have influenced my practice include American Artist, Erin Hanson. Hanson uses impasto brushstrokes not unlike van Gogh, to creat movement. Her use of colour has the impact of lead light or mosaic. I am also inspired by Charles Bell and Richard Estes. I loved learning with David Hinchcliffe. His dotting of vibrant colour is mesmerising.

Catherine Ketton and I have been painting buddies for some time now which has been enriching for us both. Trusted feedback is vital for an artist and another pair of eyes is most helpful.  We really enjoy our plein air excursions and combined  recent art exhibitions.

I invite the viewer to step into my painting and perhaps experience the emotions I felt when creating the work. I have a sense of freedom and happiness when I hold a paintbrush in my hand and assess the image before me. I hope that same warmth and excitement radiates from the work.

I know that choosing Art via a website is very hard. Art is so much more and so much better when you see the real thing for yourself. Why don't you have a look into my "Upcoming Events" section" where I will inform you where you can view my art in a public exhibit? 

I hope you enjoy your experience.

Sabine Kehoe